I came across a movie the other days with an interesting desctiption. It says " The style becomes part of the story in this ambitious debut with full-on suggestive imagery, elegant lighting and deep, reddish colors by accomplished color grader Norman Nisbet (‘Melancholia’ and ‘The Neon Demon’)." Yeah right!
Roughly traslated that means they couldn't get the colour ballance right so they went with weird coloured lighting to hide this and poor sets. The only time you need to film it all in red is if your in a bloody submarine in attack mode, then theres an excuse!
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